Review: Dovecot Studios in Edinburgh is hosting an exhibition by Kurt Jackson, highlighting the devastating effects of oceanic plastic pollution.
A Delicate Vision of Fragrant Roses and Femininity: Alison Watt at the Scottish National Portrait Gallery
Review: On show for the first time at the Scottish National Portrait Gallery, leading Scottish contemporary painter Alison Watt’s response to celebrated 18th-century portrait artist Allan Ramsay.
Review ArtMag attends the launch of Acts of Observation at the Collective, a group exhibition challenging how disability is represented and discussed.
Review: Cool, contemporary Op Art with painterly playfulness and jazzy rhythm at Edinburgh’s Upright Gallery.
Review: Edinburgh’s Heriot Gallery presents ‘a fragrant and blossoming bouquet of artwork’.
Review: An enchanting collection of landscapes and figurative studies by London-based painter Freya Douglas-Morris is inspired by memories of people and journeys, colourfully tinted with emotional feelings and a rich cultural imagination.
Review: The Summer Exhibition by the Arion Art Group at The Life Room in Edinburgh features paintings, drawing, and prints in a wide range of influences, subjects and approaches, from figurative to abstract.
Review: Edinburgh City Art Centre’s major exhibition of Scottish artist and concrete-poet Ian Hamilton Finlay combines a maritime theme with his beloved classicism.
Review: A centenary tribute to the distinctive artistry, authentic vision and expressive voice of Joan Eardley at The Scottish Gallery, which represented her during her career.
Review: As part of the 2021 Edinburgh Art Festival, Ingleby presents the first-ever exhibition of Frank Walter’s ‘spools’ series of artworks and a selection of carved wooden sculptures.
Review: Edinburgh’s Fruitmarket re-launches with a major new summer exhibition from Karla Black, whose site-specific works take over the entire gallery, now doubled in size after a £4.3million refurbishment and extension.
Review: A superlative showcase of figurative and botanical paintings launches Edinburgh’s new Heriot Gallery in bold and vibrant style.
Review: Closing 4th July, Glasgow’s Kelvingrove hosts the first posthumous display of the work of Edinburgh-born artist Carol Rhodes, showing alongside a newly-commissioned installation by France-Lise McGurn.
Review: The artistic, design and cultural achievements of one of the world’s greatest historic civilisations are brought to a modern audience at the V&A London’s ‘Epic Iran’ exhibition.
Review: Two large-scale pieces at The Pipe Factory in Glasgow’s Barras by internationally-exhibited Brazilian artist Ana Mazzei are her first at a UK public institution, and a highlight of Glasgow International Festival.
Review: The first posthumous exhibition in Scotland devoted to the work of the acclaimed printmaker Willie Rodger is on view in the RSA in Edinburgh.
Review: Talbot Rice Gallery re-opens with a global collective exhibition from contemporary artists – ‘The Normal’ is a real-time curated exhibition and a fitting reflection on life during the pandemic.
Review: The Vikings really did know a thing about bling: a new exhibition at the National Museum of Scotland showcases an extraordinary cache of ancient treasure, discovered in 2014.
Review: An inclusive exhibition and events space and coffee house, The Alchemy Experiment is open and hosting art exhibitions, providing a platform for artists and creatives to exhibit their work.
Review: Two of Scotland’s most accomplished landscape artists, Sarah Anderson and Gill Knight, look at land and sea from shared, and contrasting, perspectives at Edinburgh’s Dundas Street Gallery.
An imaginative flight to 1960’s Africa is possible in the exhibition ‘Dar to Dunoon’, currently on show at Dunoon Burgh Hall, Argyll, showing works that have resided in rural Scotland for several decades.
Review: Joan Eardley & Catterline marks the re-opening of Modern One at the Scottish National Gallery of Modern Art. It also celebrates the centenary year of one of Scotland’s favourite 20th Century artists, Joan Eardley
Review: An exhibition at London’s V&A looks at how Lewis Carroll’s ‘Alice’s Adventures in Wonderland’ critiques (and copes) with the Victorians’ changing cultural, political, and industrial context.
Review: A centenary tribute to one of Scotland’s most-loved artists, through photographs, sketches and paintings at the Fine Art Society, Edinburgh.