Sir Thomas Allen’s five-star production of Wolfgang Amadeus Mozart’s The Magic Flute returns to Scottish Opera in May, set in a spectacular world inspired by the Victorian futurism of HG Wells and Jules Verne.
Mozart’s most inventive opera, featuring a handsome prince, a damsel in distress, sorcerers, priests and a bumbling bird-catcher, opens at Theatre Royal Glasgow on Saturday 4 May, and tours to Inverness, Aberdeen, Edinburgh, London and Belfast. With set and costume design by Simon Higlett, this production takes inspiration from the city of Glasgow at the height of its industrial powers, drawing on the aesthetics and ideas of the Enlightenment, particularly the work of the Hunter family and the huge scientific collections of The Hunterian Museum.
Conductor Tobias Ringborg (The Marriage of Figaro 2016) is joined by Peter Gijsbertsen (La traviata 2017) as Tamino and Gemma Summerfield, First Prize winner at the 2015 Kathleen Ferrier Awards, as Pamina. Richard Burkhard is Papageno, the role he created in the original production in 2012; Julia Sitkovetsky is Queen of the Night; James Creswell is Sarastro and Adrian Thompson is Monostatos. Scottish Opera Emerging Artist, Sofia Troncoso (Opera Highlights 2018), sings the role of Papagena.
There will be two Dementia Friendly performances of The Magic Flute, in Glasgow and Edinburgh. These specially abridged performances are carefully designed to make the theatrical experience more accessible to people living with dementia. Sound and lighting levels are adjusted for the comfort of the audience, and the cast is joined on stage by a narrator. Audiences will also be able to go in and out of the auditorium during the performance and see the show in the foyer areas on TV screens. Scottish Opera staged the UK’s first Dementia Friendly opera performance in November 2016, with The Marriage of Figaro at Festival Theatre Edinburgh.
Those who wish to discover more about how the production was created can attend The Magic Flute Unwrapped, one-hour tasters delving further into the show, as well as Pre-show Talks. Audience members with visual impairments can enjoy the full opera experience at audio-described performances, which have a live commentary describing the action on stage without compromising the music.
For tickets and performance information https://www.scottishopera.org.uk