Reflective Energy at Jupiter Artland

john gerrard, 'Flare (Oceania)', simulation, courtesy of the artist
john gerrard, 'Flare (Oceania)', simulation, courtesy of the artist

Title:
Extraction

Times:
10:00 - 17:00

From: 11 Apr 2026

To: 26 Jul 2026

Venue:
Jupiter Artland
Bonnington House Steadings
Near Wilkieston
Edinburgh
Edinburgh & the Lothians
EH27 8BY

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The open-air art space near Edinburgh Jupiter Artland is hosting its spring exhibition: Extraction comprises work by Carol Rhodes, john gerrard, Marguerite Humeau, Siobhan McLaughlin and John Latham, and explores the cultural, psychological and environmental legacies of energy systems.

Carol Rhodes, 'Deposits', oil on board. © Carol Rhodes Estate. Photo Michael Brzezinski, courtesy Carol Rhodes Estate and Alison Jacques
Carol Rhodes, ‘Deposits’, oil on board. © Carol Rhodes Estate. Photo Michael Brzezinski, courtesy Carol Rhodes Estate and Alison Jacques

The artists’ practices are presented in dialogue with Jupiter Artland’s unique West Lothian landscape – where traces of three energy eras exist simultaneously: the nineteenth-century shale oil industry, the twentieth-century North Sea petroleum economy and contemporary renewable infrastructure.

Marguerite Humeau, The Guardian of Termitomyces,. terracotta, pigments, 150-year-old walnut (cause of death  unknown), bronze and handblown glass. © Marguerite Humeau. Photo © White Cube (David Westwood)
Marguerite Humeau, ‘The Guardian of Termitomyces’, terracotta, pigments, 150-year-old walnut (cause of death unknown), bronze and handblown glass. © Marguerite Humeau. Photo © White Cube (David Westwood)

Rather than looking at energy history as a linear progression, Extraction reveals a repetitive cycle of belief, optimism and inevitability, with each energy era producing material wealth, cultural identity and technological confidence, then eventually becoming residue, memory or monument. While debates around energy transition are dominated by technological narratives and political urgency, the exhibition instead investigates and considers the emotional and ideological structure of energy systems – labour, identity and landscape – without nostalgia or triumphalism.

Siobhan McLaughlin, 'Date of Exhaustion', earth pigment from Five Sister shale, earth pigment from Gunwalloe, oil and acrylic on sewn remnant materials, courtesy of the artist
Siobhan McLaughlin, ‘Date of Exhaustion’, earth pigment from Five Sisters shale, earth pigment from Gunwalloe, oil and acrylic on sewn remnant materials. Courtesy of the artist

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