Review: a dramatic coming-together of modern and romantic classical works is served up for Edinburgh International Festival audiences by Gingolts Quartet on their rare vintage Italian instruments.
Review: pianist and conductor Maxim Emelyanychev teams up with the Scottish Chamber Orchestra to take the power of woodwind to its limits.
Review: Dunedin Consort performs Passion of Mary Magdalene by composer Tansy Davies in a new Festival co-commission, written especially for the acclaimed baroque ensemble.
Writer, screenwriter and Artmag contributor Malcolm McGonigle watched the excitement build in the room at Lyon & Turnbull’s Scottish Paintings & Sculpture auction in Edinburgh.
Luke Fowler’s award-winning film documenting the extraordinary work of Orcadian filmmaker and poet Margaret Tait will be showing across Scotland in the coming months.
Review: The 11th edition of Out of Sight Out of Mind at Summerhall, Edinburgh features paintings, sculptures and installations by over 200 people with experience of mental health issues.
Built around an ancient aquifer, Charles Jencks’ famous landscape artwork at Jupiter Artland in West Lothian was the inspiration for X MUSE – a unique new Scottish Vodka by Co-founder, Artistic and Brand Director Vadim Grigoryan.
Review: American soprano Julia Bullock and pianist Bretton Brown perform a range of inspiring and empowering songs at Edinburgh’s Queen’s Hall.
Review: Vigorous European trio Amatis join baritone Thomas Quastoff at Edinburgh’s Queen’s Hall for stark vignettes from the Great War and beyond.
Review: Tenor Ilker Arcayurek stands-in for Gunther Groissböck at short notice, but succeeds in wowing a sold-out Edinburgh International Festival Queen’s Hall audience.
Review: Christiane Jatahy’s Edinburgh International Festival production at the Lyceum Theatre ‘Dusk’ attaches a disturbing contemporary relevance to the themes in Lars Von Trier’s movie ‘Dogville’.
Review: Bracing performances from Stefan Jackiw on violin and top-flight musical friends make for an invigorating experience at Edinburgh’s Queen’s Hall.
Review: As the revolutionary Little Black Dress approaches its centenary, the National Museum of Scotland in Edinburgh tracks its evolution, endless reworkings and continued cultural significance.
Shot through with brutal honesty, laddish humour and sadness, writer Eilidh Loan’s Moorcroft at Tron Theatre tackles toxic masculinity in Scotland head-on, asking ‘What is a real man?’
Review: One room bursts into life in a dizzying series of chaotic illusions and surreal mayhem in James Thierree’s ROOM, at the Edinburgh International Festival.
Review: Edinburgh International Festival presents Chineke! chamber ensemble’s thrilling display of extraordinary, ethnically-diverse classical musical talent, featuring a truly intercontinental programme.
Review: Physicality and humour combine with technical accomplishment in Alan Cumming’s one-man journey through the life of poet Robert Burns.
Review: Artist and playwright John Byrne revisits early-1960’s Paisley in Underwood Lane, inspired by his late friend Gerry Rafferty, and a companion piece to The Slab Boys.
Review: The British practice of slavery is rendered in involving human detail, in a dark and tense tale at Edinburgh’s Royal Lyceum Theatre.
Review: Clare Andrews’ exhibition at Linlithgow Burgh Halls features a selection of oil paintings from the Scotland and Brazil-based artist.
Review: Edinburgh’s Summerhall’s Out of Sight Out of Mind is an ambitious multimedia exhibition showcasing artworks by more than 100 exhibitors who have lived experience of mental health issues.
Review: Former Blur frontman continues his quest for the surprising and eclectic with fresh material at the Edinburgh International Festival’s Contemporary Music stage.
Review: Two masters of their instruments – Malian and French – display a sparkling creative synergy at Edinburgh International Festival.
Review: Edinburgh International Festival presents Chineke! chamber ensemble’s thrilling display of extraordinary, ethnically-diverse classical musical talent.
